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Uncle B’s Damned Ole Opry Presents: Heart of Gold Meets Blue Bayou – the Songs of Neil & Linda

November 18, 20267:00 PM

Tickets go on sale to Chief’s Choir Members on Wednesday, Sept. 30 at Noon CT and to the general public on Friday, Oct. 2 at Noon CT.

Join us at Chief’s on Broadway in the Neon Steeple for Uncle B’s Damned Ole Opry Presents: Heart of Gold Meets Blue Bayou – the Songs of Neil & Linda.

Doors: 7:00 pm
Show: 8:0o pm

Uncle B's November artists

Uncle B’s Damned Ole Opry is Bryan Simpson’s irreverent trippy-trad tent revival of a musical experience currently in residence in the Neon Steeple at Chief’s on Broadway in Nashville, Tennessee, It’s Billy Strings meets Barnum & Bailey, He-Haw meets Half-Baked. In short, a serious musical circus. Uncle B assembles an A-List of Nashville’s finest talent (past guests have included  Charlie Worsham, Dan Tyminski, Sierra Hull, Trey Hensley, Caitlyn Smith, The Band Loula, Ashley Monroe, Jason Carter, Suzanne Cox, Ashley Gorley, Sarah Buxton, Brit Taylor, Sam Williams, among many others), while B and his guests  tackles a new music assignment each show.

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Ben Chapman

Ben Chapman is a road warrior who has spent the previous three years in a whirlwind of activity — writing songs for friends like Hayes Carll, Brent Cobb, and Marcus King; making his Grand Ole Opry debut; and releasing three acclaimed albums of country-fried funky-tonk, but nothing could have prepared him for what 2025 would bring him. His new record Feet on Fire captures that period of wild transition, with songs inspired by Chapman’s marriage to fellow songwriter Meg McRee and the arrival of the couple’s first child. On songs like the guitar-driven title track, Chapman mixes Pink Floyd atmosphere with Crazy Horse crunch, showcasing the full spread of his musical influences. Elsewhere, he tips his hat to his southern roots with the laidback, loping “Out in the Country” and the Stax-sized soul ballad “Missing You.” Produced by Grammy-nominated songwriter and producer Anderson East, Feet on Fire captures Ben Chapman as we’ve never heard him before: his back against the wall and his heart full, determined not only to meet the challenges up ahead, but to write about the process, too.

Sister Sadie

Sister Sadie has grown from a one-off jam at Nashville’s legendary Station Inn into one of bluegrass music’s most celebrated and forward-moving bands. Built on world-class musicianship, powerhouse vocals and undeniable chemistry, the six-piece brings together the best of bluegrass tradition with a sound and energy entirely their own.

Along the way, Sister Sadie has earned two GRAMMY nominations, three consecutive IBMA Vocal Group of the Year awards and made history in 2020 as the first all-female group to win IBMA Entertainer of the Year.

Today and on the heels of 11 IBMA Award nominations, Sister Sadie is reaching new audiences, playing bigger stages and pushing forward with new music, honoring where bluegrass has been while helping shape where it goes next.’

Karla Davis Johnson

Having performed on the stages of NBC’s The Voice, Late Night with Jimmy Fallon, The Grand Ole Opry, and The Ryman, Karla Davis is often described as having a “country blue-eyed soul” sound. It’s no surprise that Davis’ inspiration is rooted in artists like Roberta Flack, James Taylor, and Bonnie Raitt. It was that unique soulful sound that landed Karla her first record deal with MapleTop Entertainment working with industry veterans Jeff Balding and Gordon Kennedy.

In October of 2016, after winning the Eckrich Music City Sing-off, Davis was named the best up and coming act in Country music.

Matt Warren

Chart-topping songwriter. Solo artist. Multi-platinum award winner. Soul singer. Matt Warren has played all the parts, building a versatile career that has taken him from the elite writing rooms of Music Row to stages across the country. He turns a new page with Heartbreak Superstar, his first solo release in a dozen years. Inspired by the R&B classics, soul songs, and southern music of his youth, it’s a timeless record for the modern age. Warren’s songwriting is on full display, showcasing the chops that have already earned him a pair of ASCAP Awards, an ACM Song of the Year nomination, and a Number 1 hit on country radio. Heartbreak Superstar is a singer’s record, though, and Warren — who created the EP with co-producers Oscar Charles and Cliff Audretch — delivers each song with a voice that’s every bit as raw, road-worn, and resilient as his own journey. That journey has taken Warren from the top of the Billboard charts — where Gary Allan’s “Every Storm (Runs Out of Rain)” made him one of Nashville’s most in-demand songwriters during the 2010s, reaching Number 1 the same year Warren received his self-titled solo debut — to rehab, where he found God and rediscovered himself. Heartbreak Superstar captures the melodies and southern stories that have always fueled his work with renewed clarity. The result is a mix of southern soul, Tennessee twang, and Laurel Canyon country-rock, all glued together by a songwriting veteran who’s happy to reclaim his solo artistry.

The Bowling Sisters

The Bowling Sisters are a Nashville-born trio whose bond was built long before they ever stepped on a stage. Raised in a musical family, the three sisters have been singing together for as long as they can remember, developing the rich three-part harmonies that have become their signature sound. With deep roots in Gospel music, The Bowling Sisters spent years honing their craft through live performances and a lifetime of singing together. While their foundation was built on the storytelling and vocal traditions of gospel, they are now bringing those influences into a fresh country sound that blends heartfelt lyrics, family harmony, and Southern authenticity.

Drawing inspiration from their Nashville upbringing and shared musical journey, The Bowling Sisters create music that feels both timeless and current—honoring where they came from while embracing where they’re headed.

As they step into a new chapter, The Bowling Sisters are preparing to release their debut Country single in late 2026, introducing listeners to the next evolution of their sound and the harmonies they’ve been perfecting since childhood.

Chloe-Beth

Chloe-Beth is a singer-songwriter based in Nashville, known for her blend of indie-folk and Americana music. The Oklahoma native’s debut EP, aptly named Familiar, sees her balancing personal storytelling with a universal sound, crafting songs that invite listeners into a world that spans from soulful vocals and twinkling acoustic melodies to ‘90s adjacent guitar riffs and edgy red dirt instrumentation—a Mazzy-Star-meets-Lucinda-Williams for the digital ere

Thad Cockrell

Thad Cockrell has been releasing music both under his own name and with his band LEAGUES for two decades; while also a collaborative songwriter who has written with the likes of Joy Williams (GRAMMY-nominated album Front Porch), Devon Gilfillian, and Joseph, among others.

Cockrell was personally invited by Jimmy Fallon to perform with The Roots on The Tonight Show, after Fallon discovered Cockrell’s song “Swingin’” by Shazaming it in a hardware store. “It became my anthem,” Fallon said. “Because I’m like, when you want to give up, don’t give up! If you’re going to go down, you go down swingin’! This is my anthem, I love this song.”

Cockrell’s 2020 solo album ‘If In Case You Feel the Same,’ which features “Swingin’,” was produced mainly by Tony Berg (career spans Phoebe Bridgers to the Replacements), mixed & engineered by Shawn Everett (Vampire Weekend, Beck, The War on Drugs) and features an all-star backing band throughout – ATO labelmate Brittany Howard (backing vocals on track “Higher”), Blake Mills (guitar), Chris Dave (drums), Matt Chamberlain (drums), Ethan Gruska (piano, synths), Ian Fitchuk (multiple instruments).

Buoyed by the support of Brittany Howard, whom he first met over a 4a.m. pitcher of homemade margaritas, Cockrell set to work on his first solo effort in over a decade: an album that exposes his deepest insecurities and weaknesses, all for the sake of creating a transcendent connection with the audience.